Just out issue #93 Kyoto Journal

Award-winning design, fascinating content from across Asia – produced by a brilliant team in Kyoto.

After decades of admiration, really pleased to working with them.  Stockists – worldwide.

She’s had to be patient, but Granny finally at the finishing stages.
Proof of Wee Charles and the Flying Monkey Bird sent for review this afternoon.   Available early in 2019.

Until We Are All Free now available for viewing via Medium

Or link directly via the excellent graphic journalism site: Drawing the Times.   While there, explore the site, the other narratives.

An important informative collection of graphic non-fiction accounts, reported and drawn by a global crew of illustrators, Drawing the Times addresses social, political and cultural issues.

Very pleased and honoured Until We Are All Free has been awarded Highly Commended in 6th Australia/New Zealand Illustration Awards 2018.

After an exceptional event three days ago, presenting the graphic narrative with Behrouz Boochani linked from Manus Island, the timing is perfect.  Thank you to all the judges for the recognition.

23rd October, 6PM, Byron Bay Theatre

In conversation with Behrouz Boochani – via Skype – and Julianne Schultz (Griffith Review) to discuss No Friend But the Mountains and Until We Are All Free.

Dark field monoprints in Mullum.  

… and playing with knives in Kyoto. 

Week carving in Tosai Shimogamo studio – feel of the wood again after many years.     

Bit of analog work to balance out hours of screen time… weekly life drawing. Free quick charcoal line, random colours reaching for whatever pastel comes to hand, .. and no undo option.

New Art of the Afterlife: Walls.

Featured in the winter issue of Byron Arts Magazine.
Source a copy from select galleries, shops, cafes and boutique accommodation in Byron Bay, Sydney, Melbourne, Brisbane – and internationally.
If they’ve been snaffled – happens – or you can’t find one, contact BAM.